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“Always On Their Mind”: Elvis Presley and Consumer Culture

University of Kent, UK,.June 3, 2017

The one-day event will be held at the University of Kent on the 3rd of June, 2017.

Since Elvis Presley’s rise to stardom, his star image and persona has been used to sell products. However, it is through his death that his name and image can be found in seemingly unrelated locations and commodities. The estate’s company, Elvis Presley Enterprises, has attempted to further Presley’s fanbase through re-releases of his music, Graceland, and most recently, an exhibit at the O2, London. The combined effort of the Authentic Brands Company, EPE, and the ability to re-create Presley through fictional and non-fictional texts, has allowed Presley a unique position in contemporary culture.

To celebrate the upcoming 40th anniversary of Elvis Presley’s death, this conference will attempt to re-evaluate and explore how Presley’s star persona continues to be a commercial success. Commodities; re-runs of television documentaries and concerts; re-mixes of Presley’s music; tourist attractions and the expansion of Graceland’s entertainment complex, are just a few of the ways that Presley’s ubiquitous stardom is presented and sold to contemporary society. Through this conference we would like to explore the connections between consumer culture and stardom, analysing how Presley’s star history has allowed his continued presence in today’s culture.

Potential topics include, but are not limited to:

  • The legal restrictions on Presley’s image
  • The history of Elvis Presley Enterprises
  • Musical legacy
  • Fashion, style and Elvis
  • The re-mixes of Presley’s Sun and/or RCA recordings
  • Graceland’s history and/or recent expansion
  • Tourist attractions and events
  • Re-runs of documentaries, concerts or films
  • Contemporary duets, such as with Michael Bublé or Barbara Streisand
  • Collectors
  • Fans’ reaction to consumer goods
  • The biography
  • Fan magazines/special issues
  • Impersonator competitions and/or the business of performing as Elvis
  • Multimedia concerts and Presley holograms

The conference welcomes abstracts for video essays, performance, multi-media presentations and traditional papers. Please note that outstanding papers will be offered a chapter within a publication. In addition to the conference, participants are invited to take part in a screening of a Presley concert, with potential other Presley activities yet to be confirmed.

Potential contributors should submit abstracts of 300 words and a short biography to alwaysontheirmind@gmail.com by December 31st, 2016.

We invite proposals for an interdisciplinary conference on the star persona of Elvis Presley. The one-day event will be held at the University of Kent on the 3rd of June, 2017.

Since Elvis Presley’s rise to stardom, his star image and persona has been used to sell products. However, it is through his death that his name and image can be found in seemingly unrelated locations and commodities. The estate’s company, Elvis Presley Enterprises, has attempted to further Presley’s fanbase through re-releases of his music, Graceland, and most recently, an exhibit at the O2, London. The combined effort of the Authentic Brands Company, EPE, and the ability to re-create Presley through fictional and non-fictional texts, has allowed Presley a unique position in contemporary culture.

To celebrate the upcoming 40th anniversary of Elvis Presley’s death, this conference will attempt to re-evaluate and explore how Presley’s star persona continues to be a commercial success. Commodities; re-runs of television documentaries and concerts; re-mixes of Presley’s music; tourist attractions and the expansion of Graceland’s entertainment complex, are just a few of the ways that Presley’s ubiquitous stardom is presented and sold to contemporary society. Through this conference we would like to explore the connections between consumer culture and stardom, analysing how Presley’s star history has allowed his continued presence in today’s culture.

Potential topics include, but are not limited to:

  • The legal restrictions on Presley’s image
  • The history of Elvis Presley Enterprises
  • Musical legacy
  • Fashion, style and Elvis
  • The re-mixes of Presley’s Sun and/or RCA recordings
  • Graceland’s history and/or recent expansion
  • Tourist attractions and events
  • Re-runs of documentaries, concerts or films
  • Contemporary duets, such as with Michael Bublé or Barbara Streisand
  • Collectors
  • Fans’ reaction to consumer goods
  • The biography
  • Fan magazines/special issues
  • Impersonator competitions and/or the business of performing as Elvis
  • Multimedia concerts and Presley holograms

 

The conference welcomes abstracts for video essays, performance, multi-media presentations and traditional papers. Please note that outstanding papers will be offered a chapter within a publication. In addition to the conference, participants are invited to take part in a screening of a Presley concert, with potential other Presley activities yet to be confirmed.

Potential contributors should submit abstracts of 300 words and a short biography toalwaysontheirmind@gmail.com by December 31st, 2016.

 

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European Journal of American Studies

The European Journal of American Studies is the official journal of EAAS. It welcomes contributions from Americanists in Europe and elsewhere and aims at making available state-of-the-art research on all aspects of United States culture and society.

Read more at http://ejas.revues.org/.

European Views of the United States

European Views of the United States is the official book series of the EAAS.9783825365783       

We are proud to announce volumes 8, 9, 10 of the series:

Tanrisever, Ahu. Fathers, Warriors, and Vigilantes: Post-Heroism and the US Cultural Imaginary in the Twenty-First Century, vol. 10, 2016 (Rob Kroes Publication Award 2015).

Intercontinental Crosscurrents: Women's Networks across Europe and the Americas, eds. Julia Nitz, Sandra H. Petrulionis, and Theresa Schön, vol. 9, 2016.

America: Justice, Conflict, War, eds. Amanda Gilroy and Marietta Messmer, vol. 8, 2016 (The Hague Conference 2014).

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